320 S. Cedros, SUITE 200 Solana Beach, CA 92075 United States 858.523.9155
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Documentation Signed
Period New
Materials lacquer on bronze with 24k gold leaf cap
W. 32 in; H. 26 in; D. 17 in;
W. 81.28 cm; H. 66.04 cm; D. 43.18 cm;
Creation Date 2019
Description Carole A. Feuerman is recognized as a pioneering figure in the world of hyperrealist sculpture. Together
with Hanson and De Andrea, Feuerman is one of the three artists that started the Hyperrealism movement
in the late seventies by making sculptures portraying their models in a life-like manner. Dubbed ‘the
reigning doyenne of super-realism’ by art historian John T. Spike, Feuerman has solidified her place in art
Feuerman’s prolific career spans over four decades and four continents. She has produced a rich body of
work in the studio and the public realm. By combining conventional sculptural materials of steel, bronze,
and resin, with more unconventional media like water, light, sound, and video, Feuerman creates hybrid
works of intricate energy and psychology.
She has taught, lectured, and given workshops at the Metropolitan Museum of Art, the Solomon
Guggenheim Museum, Columbia University, and Grounds for Sculpture. In 2011, she founded the Carole
A. Feuerman Sculpture Foundation. To this day, she continues her focus on public outdoor sculptures,
working primarily in bronze.
There are four full-color monographs written about her work: Carole Feuerman Sculpture, both editions
published by Hudson Hills Press; La Scultura incontra la realtà, available in multiple languages; and
Swimmers, published by The Artist Book Foundation. ‘Grande Catalina’, her monumental sculpture
featured at the 2007 Venice Biennale, is included in A History of Western Art, published by Harry N.
Abrams, and written by Anthony Mason and John T. Spike.
Her works are exhibited in private and public collections, galleries, and museums worldwide. They are
often integrated with architecture and landscaping in the creation or renovation of buildings and sites. An
especially important example is her monumental ‘Double Diver’ spiraling 36 feet in the air, and
permanently sited in Silicon Valley, owned by the City of Sunnyvale, California. ‘Survival of Serena’ has
been exhibited by New York City Department of Parks & Recreation and is now exhibited publically in the
Piazzetta in Capri, Italy. ‘Monumental Quan’ was exhibited in the Frederik Meijer Sculpture Gardens in
Grand Rapids, Michigan and is now in the Venice Biennale. One of Feuerman’s most recognizable pieces,
‘The Golden Mean’, is owned by the City of Peekskill, NY, and can be seen in Riverfront Green Park
overlooking the Hudson River. Her latest sculpture, ‘Beyond the Golden Mean’ is 16 feet tall and 2.5 tons
of bronze, and is installed in Porto Montenegro.
320 S. Cedros Ave., Ste. 200 I Solana Beach, California 92075 I 858 523 9155 I
Feuerman has had nine solo museum retrospectives, exhibited extensively worldwide, and is included in
the permanent collections of 19 museums. In Italy, she participated in the Venice Biennale four times, as
well as in Piazza della Repubblica in Florence, Palazzo Grazie, the Teatro Romano e Museo Civico in
Fiesole, and the Musei di Rimini. In China, she has exhibited in Hong Kong, the National Museum of China,
and Huan Tai Hu Museum in the Jiangsu province. She has exhibited in Korea at the Clayarch Gimhae
Museum, Daejeon Museum, and Suwon Museum. In Germany, she has exhibited at the Nassauischer
Kunstverein Wiesbaden, the Contemporary Art Museum in Aachen, and in Kassel during Documenta 14
(2017). In Spain, she exhibited at Museo de Bellas Artes de Bilbao and the Academia de Bellas Artes de
Madrid. In Mexico, she has exhibited at Marco Museo de Arte Contemporáneo de Monterrey, and Denmark
at the Arken Museum of Modern Art.
The 2017 Venice Biennale features Feuerman’s exhibition “Personal Structures, Open Borders" in
conjunction with the Venice Biennale and includes ten of her iconic outdoor painted bronze sculptures in
Giardino Della Marinaressa. Feuerman’s work is also exhibited at Venissa in Burano, Palazzo Mora, Palazzo
Bembo, and the San Clemente Palace.
Her selected collectors include the Emperor of Japan, President Bill Clinton and Secretary of State Hillary
Clinton, Norman Brahman, the Caldic Collection, Mark Parker, Ariella Wertheimer, Robert Hurst, and
Malcolm Forbes.
Feuerman seeks to connect with her viewers on an intuitive level, evoking emotion and engagement. It is
often the viewer’s participation, or the object/viewer relationship, that completes her work. Feuerman
maintains two studios in New York and New Jersey. On an ongoing basis, Feuerman's work can be seen in
selected galleries and museums worldwide.
Styles / Movements Contemporary
Incollect Reference Number 324509
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