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A fine pair of George III mahogany wine cisterns attributed to Gillows

Creator: Gillows of Lancaster & London (Attributed)
Offered by: Wick Antiques LTD

Description
Each cistern is in teh form of a fluted vase on a rectangular pedestal. The lead-lined vases have brass handles, removable lids with pineapple finials and taps. The cross-banded pedestals have cupboard doors enclosing slatted shelves for warming plates in one and a lead-lined slops drawers, a tambour fronted shelf and a cellaret in the other.

Provenance

Damick House, Scotland

FOOTNOTE:
Susan Stuart, 'Gillow of Lancaster and London', 2008 vol 1 p308-315 illustrates many pedestal urns including the drawings for Workington Hall, Cumbria, dated 1788. PLates 342 and 343 show pedestals with a similar arrangement of shelves and drawers. Thomas Sheraton explained the functions of dining room pedestals in his 'Drawing Book' of 1793: 'IN spacious dining rooms the sideboards are often made without drawers of any sort, having simply a rail, a little ornament and a pedestal with vases at each end which produces a grand effect. One pedestal is used as a plate warmer and is lined with tin, the other as a pot cupboard, and sometimes it contains a cellaret for wine. They are sometimes made of copper jappanned, but generally of mahogany.'

More Information

Origin:	England
Period:	19th Century
Materials:	Mahogany.
Creation Date:	1800
Styles / Movements:	Traditional, George III
Incollect Reference #:	264960

Dimensions

W.	17.32 in;	H.	66.93 in;	D.	16.93 in;
W.	43.99 cm;	H.	170 cm;	D.	43 cm;

Message from Seller:

Wick Antiques was established by Charles Wallrock in the early 1980s. Having grown up in the Antiques world Charles developed an extensive wealth of knowledge. Starting out as a ‘man with a van’ he quickly gained a good reputation and embarked on a longstanding relationship with Harrods. He was later joined by his wife, Caroline Wallrock. Caroline having completed a Persian degree, went on to study at Christie’s fine art and then joined Sotheby’s specializing in Islamic and Japanese works of art