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Japanese Ceramic Seto Tea Leaf Tsubo Jar Edo Period

Offered by: Tishu

Description
A Japanese glazed ceramic jar with a lacquered wood lid circa 19th century of late Edo to early Meiji Period. The stoneware tsubo was used as a storage vessel for produce such as tea leaves. It was made in Seto, one of the six ancient kilns in Japan, or in the style of seto-ware.
Of classic form that was widely popular in China and Japan, the jar is well proportioned with a voluminous body with broad shoulder, a short straight neck and a large opening. The surface was covered entirely in a glossy dark-brown iron glaze with a subtle tint of green. Some kiln debris and glaze bursts were seen scattered on the shoulder, adding a wabi-sabi charm to an otherwise austere piece. Nine motifs of small jars, grouped in three in each composition, graced the surface. They were incised and filled with white slip glaze that was fired to fine crackles. The design was either a simple carved outline with empty spaces, or the entire silouette was infilled with the white glaze. Together, they form a contrasting ying and yang pattern. The symbols of empty and full jars carry a profound philosophical message that beckons the viewer to ponder about life. A black lacquered wood lid with a top-loop handle accompanies the jar, although it is hard to tell if it is original.

More Information

Origin:	Japan
Period:	19th Century
Materials:	ceramic
Condition:	Good. Overall fine condition, a small historical chip under the rim. Lacquer lid shows wears and liquid stains on top, and a few tiny chips around the rim where it contacts the jar. All shown in detail photos.
Creation Date:	19th century
Styles / Movements:	Asian, Traditional
Patterns:	Asian/Oriental, Geometric, Handmade
Incollect Reference #:	745657

Dimensions

H.	9.5 in;	Diam.	8.5 in;
H.	24.13 cm;	Diam.	21.59 cm;

Message from Seller:

Our collection ranges from Neolithic Art to 20th century collectible art and design. It spans 5000 thousand years of history and crosses many civilizations and cultures. Our aesthetic strongholds are Mid-century studio design, Japanese and Korean art, Asian Textile Art and Contemporary Aboriginal Art. The diversity is united behind our singular vision to seek for timeless beauty and driven purely by our passion