28E Jobs Lane Southampton, NY 11968 United States 631.204.0383
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$ 3,200

"Abstract Figures, 1954"

Documentation Signed
Origin United States, New York
Period 1950-1979
Materials Acrylic paint, watercolor and aerosol spray paint on vinyl (wall paper)
W. 13 in; H. 21.25 in; D. 1.25 in;
W. 33.02 cm; H. 53.98 cm; D. 3.18 cm;
Condition Very good
Creation Date 1954
Description Original mixed media painting composed of acrylic paint, watercolor with traces of aerosol spray paint on vinyl (wall paper) by the Canadian/American artist, Rolph Scarlett. Signed by the artist lower right and dated 1954. Condition is very good. The artwork is housed in a contemporary matt black frame 25.5 by 21.5 inches overall. Provenance: Eric Firestone Gallery, East Hampton, New York.

Rolph Scarlett was born on June 13, 1889 in Guelph, Canada, and into an artistic family, Rolph Scarlett spent his teenage years as an apprentice in his uncle’s jewelry firm and briefly studied at the Art Students League, New York. While working in the jewelry industry, Scarlett found time to paint and design theatrical sets in his

In 1944, he began to work at Stanley Hayter's Atelier 17, a center for surrealistic ideas. Between 1936 and 1943, he had five one-man exhibitions at the ACA Galleries and participated in five group shows. He also exhibited at the Whitney, the Pennsylvania Academy of Fine Arts, the Knox Albright Museum, the Chicago Institute of Fine Art and Corcoran, among others. His work can be found in the permanent collections of the Met, the Whitney, the Brooklyn Museum and the Jewish Museum.

In 1923, while on a business trip to Switzerland, Scarlett had met the artist Paul Klee and soon after abandoned his figurative painting style in favor of an abstract language that suggested more universal, cosmic truths.

In 1937, after permanently settling in New York, Scarlett became acquainted with the artist and curator Hilla Rebay, the first director of the Museum of Non-Objective Painting (renamed the Solomon R. Guggenheim Museum in 1952). Rebay provided Scarlett with a Guggenheim Foundation scholarship to paint full-time and obtained several of his paintings for the museum’s collection. From 1940 to 1946, Scarlett served as the museum’s chief lecturer, giving Sunday afternoon talks on art. Through Rebay, Scarlett became acquainted with the nonobjective works of Rudolf Bauer and Vasily Kandinsky and further refined his abstract style. Works from this era such as Yellow Bar (1942) are defined by overlapping geometric planes of bright, primary colors set against mute backgrounds. Scarlett avoided any reference to the outside world and believed that nonobjective painting was an act, in his words, of “pure creation.”
During his lifetime, solo shows of his work were held at the Jacques Seligmann Gallery, New York (1949); Sioux City Art Center, Iowa (1951); and Washburn Gallery, New York (1982). In addition to appearing in several important group shows at the Museum of Non-Objective Painting and the Guggenheim Museum, Scarlett’s work was also presented at the Metropolitan Museum of Art, New York (1950); Whitney Museum of American Art (1951); and Museum of Art, Carnegie Institute, Pittsburgh (now Carnegie Museum of Art, 1983). In his later years, Scarlett moved to upstate New York and continued to paint and design jewelry. Scarlett died on August 7, 1984, near Woodstock, New York.
Styles / Movements Modernism
Incollect Reference Number 439660
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