-
FINE ART
-
FURNITURE & LIGHTING
-
NEW + CUSTOM
- FEATURED BESPOKE MAKERS
- Stephen Antonson
- Pieter Adam
- Nader Gammas
- Eben Blaney
- Silvio Mondino Studio
- Neal Aronowitz
- Mark Brazier-Jones
- Proisy Studio
- Ovature Studios
- Cartwright New York
- Thomas Pheasant Studio
- Lorin Silverman
- Chapter & Verse
- Reda Amalou
- KGBL
- AL Design Aymeric Lefort
- Atelier Purcell
- Pfeifer Studio
- Susan Fanfa Design
-
DECORATIVE ARTS
- JEWELRY
-
INTERIORS
- FEATURED PROJECTS
- East Shore, Seattle by Kylee Shintaffer Design
- Apartment in Claudio Coello, Madrid by L.A. Studio Interiorismo
- The Apthorp by 2Michaels
- Houston Mid-Century by Jamie Bush + Co.
- Sag Harbor by David Scott
- Park Avenue Aerie by William McIntosh Design
- Sculptural Modern by Kendell Wilkinson Design
- Noho Loft by Frampton Co
- Greenwich, CT by Mark Cunningham Inc
- West End Avenue by Mendelson Group
- VIEW ALL INTERIOR DESIGNERS
- INTERIOR DESIGN BOOKS YOU NEED TO KNOW
- Distinctly American: Houses and Interiors by Hendricks Churchill and A Mood, A Thought, A Feeling: Interiors by Young Huh
- Robert Stilin: New Work, The Refined Home: Sheldon Harte and Inside Palm Springs
- Torrey: Private Spaces: Great American Design and Marshall Watson’s Defining Elegance
- Ashe Leandro: Architecture + Interiors, David Kleinberg: Interiors, and The Living Room from The Design Leadership Network
- Cullman & Kravis: Interiors, Nicole Hollis: Artistry of Home, and Michael S. Smith, Classic by Design
- New books by Alyssa Kapito, Rees Roberts + Partners, Gil Schafer, and Bunny Williams: Life in the Garden
- Peter Pennoyer Architects: City | Country and Jed Johnson: Opulent Restraint
- An Adventurous Life: Global Interiors by Tom Stringer
- VIEW ALL INTERIOR DESIGN BOOKS
-
MAGAZINE
- FEATURED ARTICLES
- Northern Lights: Lighting the Scandinavian Way
- Milo Baughman: The Father of California Modern
- A Chandelier of Rare Provenance
- The Evergreen Allure of Gustavian Style
- Every Picture Tells a Story: Fine Art Photography
- Vive La France: Mid-Century French Design
- The Timeless Elegance of Barovier & Toso
- Paavo Tynell: The Art of Radical Simplicity
- The Magic of Mid-Century American Design
- Max Ingrand: The Power of Light and Control
- The Maverick Genius of Philip & Kelvin LaVerne
- 10 Pioneers of Modern Scandinavian Design
- The Untamed Genius of Paul Evans
- Pablo Picasso’s Enduring Legacy
- Karl Springer: Maximalist Minimalism
- All Articles
- Clear All
Camille Pissarro
French, 1830
CAMILLE PISSARRO
Camille Pissarro was born in 1830 on the Island of St.Thomas, a then-Danish colony of the Antilles (now the United States Virgin Islands). His family background was mixed French, Portuguese and Jewish. He was sent to Paris to school when he was twelve. Although at an early age he wanted to make art his career, his father sent for him in 1847 to return to St. Thomas and for the next five years the young Pissarro was engaged against his will in the family business. In 1852 he went to Venezuela with Fritz Melbye, an artist, and brought back various sketches. Going to Paris in 1855 he made the acquaintance of Corot and fell under his influence. A realist at heart, he followed Corot's advice always to paint out of doors.
By 1866 he had met Cezanne, Renoir and Sisley and was a member of the group that frequented the Cafe Guerbois - a group of artists, critics and congenial men that centered about Manet. He had also married (the family maid, Julie) and settled at Pontoise, near Paris. They had eight children, of the eight, Lucien, Georges, Felix, Ludovico Rodolph, Paul-Emile and a daughter, Orovida, were artists. Each of his children and the grandchildren were encouraged daily to draw everything they saw.
When the War of 1870 broke out, he went to London and his studio was pillaged by the Germans and his early work destroyed. He studied Turner while he was in England, together with Monet he helped to develop the theories of Impressionism. He was the only impressionist to show in all seven of the impressionist exhibitions. For a time he followed the methods of Seurat and became identified with the Neo-Impressionists. His best work was done from 1892 to 1903, his last period and most original one. He died in 1903 at the age of seventy-three.
Camille Pissarro was born in 1830 on the Island of St.Thomas, a then-Danish colony of the Antilles (now the United States Virgin Islands). His family background was mixed French, Portuguese and Jewish. He was sent to Paris to school when he was twelve. Although at an early age he wanted to make art his career, his father sent for him in 1847 to return to St. Thomas and for the next five years the young Pissarro was engaged against his will in the family business. In 1852 he went to Venezuela with Fritz Melbye, an artist, and brought back various sketches. Going to Paris in 1855 he made the acquaintance of Corot and fell under his influence. A realist at heart, he followed Corot's advice always to paint out of doors.
By 1866 he had met Cezanne, Renoir and Sisley and was a member of the group that frequented the Cafe Guerbois - a group of artists, critics and congenial men that centered about Manet. He had also married (the family maid, Julie) and settled at Pontoise, near Paris. They had eight children, of the eight, Lucien, Georges, Felix, Ludovico Rodolph, Paul-Emile and a daughter, Orovida, were artists. Each of his children and the grandchildren were encouraged daily to draw everything they saw.
When the War of 1870 broke out, he went to London and his studio was pillaged by the Germans and his early work destroyed. He studied Turner while he was in England, together with Monet he helped to develop the theories of Impressionism. He was the only impressionist to show in all seven of the impressionist exhibitions. For a time he followed the methods of Seurat and became identified with the Neo-Impressionists. His best work was done from 1892 to 1903, his last period and most original one. He died in 1903 at the age of seventy-three.