Peter Andrew Lusztyk
American, 1982
Peter Andrew Lusztyk (b. 1982) is a Canadian photographer celebrated for transforming everyday urban infrastructure and ordinary objects into striking visual subjects. Hidden within his large-format, high-resolution images—often displayed in galleries like Trimper—are highway interchanges from aerial views, minimalist portraits of vintage handguns, and meticulously arranged still-lifes featuring donuts and everyday items.
Originally trained as a commercial photographer, he brings a precise, editorial eye to fine art, working with clients like Apple, Audi, The Atlantic, and National Geographic. His method involves elevated perspectives—taken from helicopters and small aircraft—to capture highways that resemble abstract patterns, revealing hidden beauty in the mundane. His limited-edition archival pigment prints, often produced in carefully controlled large editions, engage both conceptual depth and refined technique.
Lusztyk’s work has appeared in exhibitions and art fairs, and is carried by Trimper Gallery in Greenwich. His award-winning practice—rooted in drawing attention to overlooked subject matter—resonates across editorial, commercial, and fine-art audiences.
Originally trained as a commercial photographer, he brings a precise, editorial eye to fine art, working with clients like Apple, Audi, The Atlantic, and National Geographic. His method involves elevated perspectives—taken from helicopters and small aircraft—to capture highways that resemble abstract patterns, revealing hidden beauty in the mundane. His limited-edition archival pigment prints, often produced in carefully controlled large editions, engage both conceptual depth and refined technique.
Lusztyk’s work has appeared in exhibitions and art fairs, and is carried by Trimper Gallery in Greenwich. His award-winning practice—rooted in drawing attention to overlooked subject matter—resonates across editorial, commercial, and fine-art audiences.
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