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$ 1,380

19th Century Samson Paris Porcelain Trinket Box

Documentation Signed
Origin France
Period 19th Century
Materials Porcelain & Ormolu
Dimensions
W. 5.5 in; H. 4 in; D. 5.75 in;
W. 13.97 cm; H. 10.16 cm; D. 14.61 cm;
Condition Good. Very good original condition.
Creation Date 1880
Description Presenting a gorgeous French 19th century Samson Paris Porcelain Trinket Box probably by Edme Samson.

Marked on the base with “Made in France” and unmistakably in the style and manner of Samson.

The lid features hand painted floral bouquets on an ivory porcelain background with gold edging, surrounded by a sky blue lid with gold web or crackling effect.. The lid is hinged and the lid and base are edged in floral gilt metal mounts with Fleur De Lis clasp. It sits on 4 gilt metal or ormolu feet. The sides are likewise hand decorated.

This wonderful antique hand painted box is just bursting with History. Inspired by Edme Samson of Samson & Co., Paris. we believe (based upon the markings and natural aging) that it was made between 1880– 1890 in France and was meant to resemble an antique of a much earlier period. It is very similar to Sevres pieces with it’s color, decoration and design.

Samson specialized in reproducing antiques from the 1600 and 1700s. One of his most interesting works was his Heraldic or Armorial pieces. With this medium sized box, he was not only copying the larger porcelain caskets or coffin boxes used by royalty in the 1700’s, but he was turning it into an item the current populous needed, an elegant box to hold their new love’s trinkets. And if it looked as if it had belonged to a Knight or Royalty, all the better.

The box is old and shows some of it’s age but is in overall excellent condition. There are no cracks or chips.

Quality piece of lovely size!

Edmé Samson (b Paris, 1810; d Paris, 1891), founder of the porcelain firm Samson, Edmé et Cie (commonly known as Samson Ceramics), was a famous copyist (and perhaps forger) of porcelain and pottery.[1] The firm produced high-quality copies or imitations of earlier styles of porcelain, mainly 18th-century European and Chinese and Japanese porcelain, but also earlier styles such as Italian maiolica.

Samson began his career by making service and set piece replacements in the late 1830s. In 1845 he opened the ceramics firm Samson, Edmé et Cie at 7, Rue Vendôme (later Rue Béranger) in Paris, with the intention of supplying reproductions of ceramics on display in museums and private collections. The factory was moved to Montreuil, Seine-Saint-Denis in 1864 by Samson’s son, Emile Samson (1837–1913). The firm either drew inspiration from other factories, or directly copied their pieces. 18th-century designs from the factories of Meissen, Sèvres, Chelsea, Worcester and Derby were among the reproductions Samson, Edmé et Cie produced, among designs copied from the other major European factories.

During the 19th century, the collectors’ market for antique fine china was considerable, and Samson’s firm reproduced ceramics in a breadth of styles including the faience and maiolica types of Italian pottery, Persian style dishes, Hispano-Moresque pottery (a blending of Islamic and European motifs, produced during the 13th to 15th centuries), plates in the FitzHugh pattern, as well as plates in the manner associated with Bernard Palissy. Also copied by the Samson firm were the early Qing dynasty famille rose and famille verte Chinese porcelains and the so-called “Imari wares”, named for the Japanese port where a type of richly decorated porcelain made at Arita was shipped. The firm exhibited at the International Exposition (1867) and the Exposition Universelle (1889).

Samson, Edmé et Cie did not set out to produce copies with the intention to deceive, and claimed all reproductions the firm produced would be distinctly marked to avoid confusion with the originals. However, many of its products have been passed off as originals.

The Samson firm, in many instances, attempted to distinguish their reproductions from originals. The Samson wares were produced in hard-paste porcelain, while many of the originals would have been produced from soft-paste porcelain. The glazes utilized by the Samson firm were often glossy and somewhat glassy, the modeling stiffer, or wrong in scale, the decoration was often too heavy, and colors were often inaccurate. Leading many experts to conclude that Samson, and his firm, were merely enthusiastic, if sometimes clumsy, copyists.

On the other hand, some Samson reproductions have only been detected by recognition of anachronistic details. Samson copies of Meissen pieces have passed for originals, since the blue underglaze ‘Ss’, Edmé’s mark, can be removed and substituted with false marks. Additionally, an 1880 reproduction piece by Samson, of a British East India Company armorial plate, shows evidence of scratchings, perhaps in an attempt to erase the Samson mark and pass the plate off as an original. Further complicating authenticity, numerous reproductions of Chelsea and Derby figures bear marks other than his trademark ‘Ss’, and in some instances bear no mark at all.

It is impossible to determine when, by whom, and for what reason the Samson marks might have been removed. However, during the same period, other companies, such as Jacob Petit of Fontainebleau, were producing reproductions similar to those created by the Samson firm. In Hungary the Herend company produced famille rose pieces and armorial plates. However, unlike the Samson firm’s marks, Herend utilized both impressed marks and painted ones, which cannot be erased or removed.

The Samson, Edmé et Cie company continued to produce porcelain and pottery until 1969. The salesroom models were sold in 1979 by Christie’s, London. Today many of the Samson’s pieces are collectors’ items. Ironically not all pieces attributed to Samson are actually Samson: there were many other Paris workshops producing similar ‘copies’ of earlier ceramics at the same time. Many Samson marks were removed from the piece, leaving just the assumed mark of the piece they had copied; often this is visible as a ground patch to the base. This was done in order to sell the item as the genuine article. Some pieces described as Samson were actually produced by Herend, Hungary.
Styles / Movements Louis XVI, Traditional
Patterns Florals/Botanical, Traditional
Incollect Reference Number 417005
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