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Modern Japanese Maki-e and Inlayed Lacquer Box by Ida Nobuaki

Creator: Ida Nobuaki
Offered by: Tishu

Description
A magnificent lacquer box with intricate Maki-e decorations and mother of pearl in inlays by Japanese lacquer artist Ida Nobuaki (1892-1974). The box is dated early to mid-20th century (Showa period) and shows aspects of styling akin to the Art Deco movement. Ida Nobuaki studied under Akiyoshi Mukaida (1881-1933), who was based in Kyoto, an important figure in Japanese modern lacquer studio art.
The box was decorated with an exuberant floral design, using a wide range of techniques including Hiramaki-e, Takamaki-e, Raden shell (MOP) inlays as well as togidashi maki-e. These techniques were used seamlessly to create a tight and layered composition of exotic floral arrangement. The colors are intentionally restricted to shades of gold with subtle variations. The motifs are stylized but somehow appear realistic at the same time. To punctuate the overall subdued and mottled visual effect, the execution of MOP inlays, in contrast, was done in a rather bold fashion. The design continues and drapes down to the side walls to achieve a wholesome and meticulous appeal. The interior of the box is lacquered back and decorated with gold Maki-e paint of swaying sea grasses. Signed on the base "Made by Nobuaki".

More Information

Documentation:	Signed
Origin:	Japan
Period:	1950-1979
Materials:	Lacquer wood, MOP
Condition:	Good. Nice condition on all maki-e, no losses on any of the inlays. Overall scattered wear and fine scratches throughout the base, more prominent around the signature as shown, some contact wear on between the rims.
Creation Date:	mid-20th century
Styles / Movements:	Arts & Crafts, Modern, Asian
Patterns:	Asian/Oriental, Geometric, Handmade
Incollect Reference #:	563021

Dimensions

W.	9 in;	H.	5.5 in;	D.	11.5 in;
W.	22.86 cm;	H.	13.97 cm;	D.	29.21 cm;

Message from Seller:

Our collection ranges from Neolithic Art to 20th century collectible art and design. It spans 5000 thousand years of history and crosses many civilizations and cultures. Our aesthetic strongholds are Mid-century studio design, Japanese and Korean art, Asian Textile Art and Contemporary Aboriginal Art. The diversity is united behind our singular vision to seek for timeless beauty and driven purely by our passion