Offered by: Tishu
By appointment only Atlanta, GA 30327 , United States Call Seller 305.400.0561

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Japanese Ceramic Vase by Makuzu Kozan

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  • Description
    A small porcelain vase by Japanese Meiji imperial potter Makuzu Kozan (1842-1916), circa 1890-1910s. The vase is made in what is considered early phase of his underglaze period during late Meiji era. In a classic baluster form, the surface of the vase was decorated in an unusual white motifs on copper that depicts flying cranes over autumn grasses. The rendering of the crane and grasses has an intentional "shadowy" cutout effect that gives the impression of an misty scenery. Marked in underglaze blue on the base. Work of similar style could be found in the artist's repertoire in late Meiji Period (reference available upon request).
    Known also as Miyagawa Kozan (1842-1916), he is one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artist to the Japanese Imperial household. Kozan Studio started experimenting with then newly available colors from the west in the 1880s, which resulted in the expansion of the palette and style that bridged the east and west aesthetic tradition. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes.
  • More Information
    Documentation: Signed
    Origin: Japan
    Period: 1900-1919
    Materials: ceramic
    Condition: Good. Fine condition with no issues.
    Creation Date: 1890-1910s
    Styles / Movements: Asian, Traditional
    Patterns: Animal/Insects, Asian/Oriental, Florals/Botanical, Handmade
    Incollect Reference #: 474443
  • Dimensions
    H. 6.5 in; Diam. 4.5 in;
    H. 16.51 cm; Diam. 11.43 cm;
Message from Seller:

Our collection ranges from Neolithic Art to 20th century collectible art and design. It spans 5000 thousand years of history and crosses many civilizations and cultures. Our aesthetic strongholds are Mid-century studio design, Japanese and Korean art, Asian Textile Art and Contemporary Aboriginal Art. The diversity is united behind our singular vision to seek for timeless beauty and driven purely by our passion

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