Jules Pascin
French, 1885 - 1930
Born Julius Mordecai Pincas in Vidin, a small town in Bulgaria, the artist spent part of his childhood in Bucharest before attending boarding school in Vienna. About 1902, he studied painting in Vienna and in 1903 or 1904 went to Munich, where he enrolled at the Heymann Art School. During this period, he worked as an illustrator, contributing cartoons to such German periodicals as Jugend and Simplicissimus. He also further studied in Berlin.
In 1905, about the time that he changed his surname to Pascin, he moved to Paris, where as a member of an international circle of artists who frequented the Cafe du Dome, he became a leading modernist. He had his first one-man show at the Paul Cassirer Gallery in Berlin in 1907 and later exhibited at the Berlin Secession and the Cologne Sonderbund-Ausstellung.
On immigrating to New York City in 1914, Pascin associated with a coterie of progressive painters, among them Walt Kuhn, Yasuo Kuniyoshi, and Max Weber, who were influenced by his figurative style in which he conjoined elements of Expressionism and Cubism with a highly personal vision of his environment. His aesthetic, especially his subtle handling of line and tone and his fine draftsmanship, was especially influential to Kuniyoshi and to such artists as Peggy Bacon. During the 1920s he exhibited in both Paris and New York and traveled extensively.
Although Pascin's watercolors, oils, and drawings were generally well received, a series of unfavorable reviews in 1930 left him severely depressed. He committed suicide in Paris in June of that year.
Biography courtesy of Roughton Galleries, www.antiquesandfineart.com/roughton
In 1905, about the time that he changed his surname to Pascin, he moved to Paris, where as a member of an international circle of artists who frequented the Cafe du Dome, he became a leading modernist. He had his first one-man show at the Paul Cassirer Gallery in Berlin in 1907 and later exhibited at the Berlin Secession and the Cologne Sonderbund-Ausstellung.
On immigrating to New York City in 1914, Pascin associated with a coterie of progressive painters, among them Walt Kuhn, Yasuo Kuniyoshi, and Max Weber, who were influenced by his figurative style in which he conjoined elements of Expressionism and Cubism with a highly personal vision of his environment. His aesthetic, especially his subtle handling of line and tone and his fine draftsmanship, was especially influential to Kuniyoshi and to such artists as Peggy Bacon. During the 1920s he exhibited in both Paris and New York and traveled extensively.
Although Pascin's watercolors, oils, and drawings were generally well received, a series of unfavorable reviews in 1930 left him severely depressed. He committed suicide in Paris in June of that year.
Biography courtesy of Roughton Galleries, www.antiquesandfineart.com/roughton
