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Listings / Furniture / Tables / Coffee Tables
Showrooms
PIERRE CHAPO FRENCH ELM WOOD COFFEE TABLE MODEL T22 OFTEN NAMED EYE TABLE
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Tear Sheet Print
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Description
Pierre Chapo coffee table in elm wood, Model T22 circa 1960. Often referred to as the eye table.
This is a fine vintage example, not the current new production.
The new production tables are stamped underneath with the date and Chapo trademark saying Meubles Chapo Gordes.
Pierre Chapo was born in a family of craftsmen. After his regular studies, he worked in the workshop of a navy carpenter. He graduated as an architect in 1958 from the Ecole Nationale Supe´rieure des Beaux-Arts in Paris, after having travelled in the United States and in Europe. He opened his own workshop first in Clamart as well as a shop in Paris. Chapo's work was inspired by Charlotte Perriand. Ten years later he settled down in Gordes, where he based the Socie´te´ Chapo. He then dedicated himself mainly to his work as a carpenter and a cabinetmaker and gave a series of lectures about his great passion, wood.
The grain of the elm wood is nicely visible. The table can be arranged in several configurations.
Bibliography : Magen H Gallery, Pierre Chapo, un artisan moderne, exposition catalogue, New York, November-Décember 2017, pp. 86 et 87
Measures: 68 W × 50 D × 13 H in. please inquire -
More Information
Documentation: Documented elsewhere (exact item) Origin: France Period: 1920-1949 Materials: Elm Condition: Good. Excellent Refinished Due to Sun Bleaching of the Wood Creation Date: c1970 Styles / Movements: Modern, Mid Century Incollect Reference #: 832190 -
Dimensions
W. 68 in; H. 13 in; D. 50 in; W. 172.72 cm; H. 33.02 cm; D. 127 cm;
We sell and ship across the United States, Europe, Australia, Hong Kong and wherever you are.
Pavilion is the collective vision of Deborah Colman and Neil Kraus, both graduates of the master of fine arts program at the Art Institute of Chicago. From a longstanding interest in art and design, frequent buying trips to France and Italy have influenced the direction of the gallery to offer items that are not easily sourced in Chicago and United States. Postwar design has been the focus for 18 yrs and we also look forward to new design that crosses boundaries and dialogues as well to the past
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