-
FINE ART
-
FURNITURE & LIGHTING
-
NEW + CUSTOM
- FEATURED BESPOKE MAKERS
- Stephen Antonson
- Pieter Adam
- Nader Gammas
- Eben Blaney
- Silvio Mondino Studio
- Neal Aronowitz
- Mark Brazier-Jones
- Proisy Studio
- Ovature Studios
- Cartwright New York
- Thomas Pheasant Studio
- Lorin Silverman
- Chapter & Verse
- Reda Amalou
- KGBL
- AL Design Aymeric Lefort
- Atelier Purcell
- Pfeifer Studio
- Susan Fanfa Design
-
DECORATIVE ARTS
- JEWELRY
-
INTERIORS
- FEATURED PROJECTS
- East Shore, Seattle by Kylee Shintaffer Design
- Apartment in Claudio Coello, Madrid by L.A. Studio Interiorismo
- The Apthorp by 2Michaels
- Houston Mid-Century by Jamie Bush + Co.
- Sag Harbor by David Scott
- Park Avenue Aerie by William McIntosh Design
- Sculptural Modern by Kendell Wilkinson Design
- Noho Loft by Frampton Co
- Greenwich, CT by Mark Cunningham Inc
- West End Avenue by Mendelson Group
- VIEW ALL INTERIOR DESIGNERS
- INTERIOR DESIGN BOOKS YOU NEED TO KNOW
- Distinctly American: Houses and Interiors by Hendricks Churchill and A Mood, A Thought, A Feeling: Interiors by Young Huh
- Robert Stilin: New Work, The Refined Home: Sheldon Harte and Inside Palm Springs
- Torrey: Private Spaces: Great American Design and Marshall Watson’s Defining Elegance
- Ashe Leandro: Architecture + Interiors, David Kleinberg: Interiors, and The Living Room from The Design Leadership Network
- Cullman & Kravis: Interiors, Nicole Hollis: Artistry of Home, and Michael S. Smith, Classic by Design
- New books by Alyssa Kapito, Rees Roberts + Partners, Gil Schafer, and Bunny Williams: Life in the Garden
- Peter Pennoyer Architects: City | Country and Jed Johnson: Opulent Restraint
- An Adventurous Life: Global Interiors by Tom Stringer
- VIEW ALL INTERIOR DESIGN BOOKS
-
MAGAZINE
- FEATURED ARTICLES
- Northern Lights: Lighting the Scandinavian Way
- Milo Baughman: The Father of California Modern
- A Chandelier of Rare Provenance
- The Evergreen Allure of Gustavian Style
- Every Picture Tells a Story: Fine Art Photography
- Vive La France: Mid-Century French Design
- The Timeless Elegance of Barovier & Toso
- Paavo Tynell: The Art of Radical Simplicity
- The Magic of Mid-Century American Design
- Max Ingrand: The Power of Light and Control
- The Maverick Genius of Philip & Kelvin LaVerne
- 10 Pioneers of Modern Scandinavian Design
- The Untamed Genius of Paul Evans
- Pablo Picasso’s Enduring Legacy
- Karl Springer: Maximalist Minimalism
- All Articles
Listing
Period
- Clear All
Harry Herman Roseland
American, 1868 - 1950
Genre painting enjoyed tremendous popularity in nineteenth-century America. It was a style that allowed a painter to tell a story, evoke an emotion, tell a joke, or educate. Largely superseded in the twentieth century by changes in popular taste and improvements in photographic technology, genre painting nevertheless remains a strong sub current in popular taste. One of the most notable painters in this mode was Harry Roseland. Roseland, born in Brooklyn, new York in 1868, matured as an artist while waves of change were sweeping over the art world. Largely self-taught, he chose to paint what he saw. He receive some education in art under J.B. Whittaker in Brooklyn, and at first painted some landscapes and still lifes, but his natural flair was for telling a story in his paintings. His subject matter was at first highly sentimental and heavily influenced by fashionable taste: smartly turned-out young women, old folks, and idealized farm scenes. He abandoned the mawkishness that is the downfall of so many self-educated artists when he found a topic that was close to home and yet largely unnoticed: the post-Civil War blacks who formed the underpinning of Northeastern society. Roseland's clever, skillful scenes of homely activities - such as checkers or letter-reading, were remarkably dispassionate and candid for the time, though to modern eyes they seem condescending and dated. The capture with gentle humor of a way of life that existed through the first half of the twentieth century and has now vanished. Harry Roseland never left his native Brooklyn, dying in New York in 1950, but enjoyed a remarkable success as an artist in his chosen specialty, improving and maturing continually. The archetype of the independent American artist, he never traveled to Europe to study or observe, choosing to carve his own path. Memberships: Brooklyn Arts Club Brooklyn Society of Artists Brooklyn Painters Society Salmagundi Club Exhibited: Brooklyn Art Club, 1888 (gold) Boston, Mass., 1900 (medal), 1904 (gold) Charleston Expo, 1902 (medal) National Academy of Design, 1898 (prize) Brooklyn Society of Artists, 1930 (prize) American Art Society, Philadelphia, 1902 (medal), 1907 (gold) Pennsylvania Academy of the Fine Arts Art Institute of Chicago Public Collections: Brooklyn Institute of Arts and Sciences Brooklyn Museums Charleston Art Museum Heckscher Museum, Long Island, New York Biography courtesy of Roughton Galleries, www.antiquesandfineart.com/roughton
Harry Roseland Paintings & Art | Incollect
Harry Roseland Paintings & Art | Incollect
Loading...