Ian Love Design

115 Newtown Road
Hampton Bays, NY 11946
United States


Ian Love | Design

With a collection of design and functional art pieces includes resin-filled burl sculptures and

objet, large-scale spalted wood dining tables and daybeds, multi-purpose room dividers,

storage and case pieces, tabletop items and home goods, charming headboards, trunk or

root-based suspended lighting systems and chandeliers, mirrors and mixed-media wall art,

benches, and an incredibly diverse line of hand-carved stools with playful variations on leg

designs and stump bases.

With an innate attraction to spalted (diseased) wood because of its marbled character, Ian’s

mediums span all genus of timber: cherry blossom, walnut, oak, cedar, maple, elm, hickory; as

well as resin, concrete, alabaster, stone, metals and mixed-media found flora. A constantly

evolving practice, Ian’s signature hand-chattered imprint finds itself into many of his designs,

validating an appreciation of the imperfect in his holistic design concepts and their

unconventionally beautiful finished products.


About Ian Love Design

Designer Ian Love had been a career musician for his entire career until six years ago, when

tremendous tragedy struck his family. His life was drastically reoriented, with his priorities and

creative perspective following suit. The half decade of adversity persists in its effects, but the

forced shifts in his thinking and approaches to living because of it are not lost on him. One

deceptively inconsequential shift was that Ian was driven to gardening; the only respite he

could find from his family’s turmoil was in the soil, working with his hands, and learning about

botanical systems and their cyclical interplays with life, growth and death. At his home on Long

Island he expanded on this idea of working with his hands – an inclination whose nascence lies

in his having played instruments for so many years – beginning woodworking projects with his

daughter. The practice eventually developed into furniture making, a critical turning point

toward the design business he’s built today.


The Singular Tree Concept

Also rooted in Long Island is Ian’s proprietary Singular Tree Concept. Though not exclusive to his

creative practice, the terminology applies to his dedication to using entireties of wood pieces,

which he locally sources from a fallen tree farm in Speonk. In an industry in which designs are

determined with little flexibility, materials waste is often very high, because no standardizations

apply to using leftovers for additional, potentially complementary projects. Ian’s approach, on

the other hand, is to source material first; the designs come second, upending the hierarchy to

reprioritize the resource of wood and to let it determine what can be made of it. Because Ian is

making use of trees’ full remains in his product line, his work ranges from large-scale furniture

to smaller objet, and eschews a customary, seasonal collection concept in order to produce

according to the materials made available to him by the constraints of nature's refuse.


An Intuition-Driven Process

The sustainability of his design approach relates to the mysticism that underlies it; in the same,

personally tumultuous five-year timespan during which his brand and creative practice

developed, he began a practice of transcendental meditation to calm his nerves through it all.

With no professional schooling and a process based nearly entirely on material-maker intuited

connection, Ian’s work in turn emerges from some semblance of a collective unconscious. His

meditation is about leaning into and trusting the intuitive process, and he receives the

strongest response to his work from people who cite relationship to it on an emotional or

cognitive level, as if it’s sparking an image, feeling or memory from their own, archetypally

familiar unconscious.

The emotionality and the self-taught, experimental nature of Ian’s process are jointly

informative of his creative trajectory. His intentions to appreciate material life in its perfected

and marred forms alike, and to create desirability from refuse, together form the basis for his

growing collection of design objects.


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