Vincenzo Feoli Art Illustrations Plates Prints Italian Artist | Renowned Italian Engraver of Antiquities

Vincenzo Feoli (1750–1831) was a distinguished Italian engraver known for his exceptional work in topographical, architectural, and archaeological illustrations. Born in Rome, Feoli's talent gained recognition in the early 1790s when he began producing notable engravings, leading some scholars to suggest that he may have been born a decade earlier.
Around 1790, Feoli created a series of twenty-four large plates that depicted the newly renovated rooms of the Vatican Museum of Antiquities (Museo Pio-Clementino), a significant project celebrated in a seven-volume catalog by Giambattista and Ennio Quirino Visconti. Feoli not only contributed engravings but occasionally authored drawings himself, collaborating with artists like F. Muccinelli and F. Costa.
His work was especially influential in the realm of archaeological documentation, often partnering with Carlo Fea, a prominent figure in papal antiquarian studies. One of his notable projects in 1804 was an archaeological plan of the excavations at Ostia, based on a drawing by Giuseppe Verani, the court painter of the exiled King Vittorio Emanuele I of Sardinia.
Feoli also worked with architect Giuseppe Valadier, creating an engraving of Ponte Milvio in 1806, which adorned the frontispiece of Valadier's comprehensive encyclopedic series on fine arts and antiquities. Their collaboration extended to Valadier's significant publication on architectural designs, which featured a variety of building styles.
Throughout his career, Feoli contributed to several influential works, including the re-edition of Desgodetz’s antiquarian studies in 1822, re-engraving plates from the original French editions. His engravings also illustrated archaeological sites in Lazio, featured in various publications, including a travel diary by Marianna Candidi Dionigi.
Feoli's legacy is particularly marked by his detailed representations of sites like Pompeii, produced from drawings by architect F. Mazois, and published in the early 1820s. His artistry not only documented the architectural heritage of Italy but also played a pivotal role in the preservation and understanding of its antiquities.

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Vincenzo Feoli