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Rare Large Vase with White Slip Inlay Makuzu Kozan Meiji Period
$ 12,000
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Tear Sheet Print
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Description
An impressively large and unusual stoneware vase in an urn shape from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes.
This vase is dated to the end of Makuzu's life circa 1910-1916 based on similar work created around that time. After achieving domestic and international fame, Makuzu retired and handed the business to his son Hanzan in 1912. He dedicated his time to other selected projects that were more in tune with Japanese sensibility than export aesthetic. He made a group of stoneware pottery pieces inspired by Edo master like Ninsei and Kenzan as well as his own poetic creation. This piece is attributed to that period.
Standing of an impressive size, this vase is more like an urn, made with stoneware instead of porcelain. It was coated with a brown iron glaze with a slight translucent quality. Underglaze whit slips were used to draw low relief decoration of bamboo leaves that sparsely scatter on the surface. Slightly more elaborate scrolling vines and autumn flowers circles under the mouth rim. Same white slip inlay was used to sign the vase under the base. The whole effect of the piece is unusual. With its dark glaze in contrast with the sparse white decoration that is more abstract and geometric than realistic, it appears almost modern with an Art Deco flavor.
For stoneware urn and vase in the similar genre by Makuzu Kozan: see figure 113 on page 182 of "Sekai ni Aisa Reta ya Kimono" MIYAGAWA KOZAN MAKUZU WARE (Pottery BOOK, Japanese Edition) Published by Kanagawa Shimbun (2010) .
Figure 28-31 on page 52-55 of "Bridging East and West, Japanese Ceramics from the Kozan Studio" Walters Art Gallery. Emerson-Dell P.30. -
More Information
Documentation: Signed Notes: Signed underneath Origin: Japan Period: 1900-1919 Materials: Ceramic Condition: Good. Fine condition with minimal wear Creation Date: 1900-1916 Styles / Movements: Modern, Art Pottery, Asian Incollect Reference #: 331559 -
Dimensions
H. 17.5 in; Diam. 10.5 in; H. 44.45 cm; Diam. 26.67 cm;
Message from Seller:
Tishu, based in Atlanta, GA, offers a diverse collection ranging from Neolithic art to 20th-century collectibles, with a focus on Mid-century design, Japanese and Korean art, Asian textiles, and Contemporary Aboriginal art. Driven by a passion for timeless beauty, the gallery is open by appointment only and offers works that span 5,000 years of history. Reach them at 305-400-0561 or tishu@tishugallery.com.
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