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Offered by:
H. Gallery
Concordiastraat 68 - 127
Utrecht 3551EM , Netherlands
Call Seller
0031302270051
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Gunni Omann "Model 13" Sideboard, Denmark 1960s
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Description
This sideboard was designed for Omann Jun Møbelfabrik in the mid-20th century. Quality materials and great attention to detail make this “Model 13” sideboard a beautifully constructed, elegant piece.
The front has two drawers in the bottom and four sliding doors revealing the different inner compartments, including six trays and six shelves. Omann Jun’s signature triangular handles can be found on each door. The signature grip designs are recognisable even from a distance thanks to their shape, resembling an aerodynamic spaceship. The heavy looking body is balanced out by the slim legs, creating the modern look.
The manufacturer, Omann Jun Møbelfabrik, is a Danish family-owned business with most of its designs created by Gunni Omann. The classic “Model 13” is among the rarer designs as its production ceased in the 20th century.
Condition:
In very good condition. Item has some minor marks and discoloration consistent with age and use.
Dimensions:
70.87 in W x 17.72 in D x 48.04 in H
180 cm W x 45 cm D x 122 cm H
Literature:
Mobilia Volume 6, August 1961. Edited by Paul Henningsen & Gunnar Bratvold, Published by Snekkersten: Mobilia, 1961, unpaginated.
About the designer:
Gunni Omann designed until the late 1960s for Omann Jun Møbelfabrik. The company was founded in 1933 by Andreas Omann in Horsens, Denmark. Initially, the family-owned company produced bedroom furniture, later adding dining room furniture and shelving systems. Many of the company's products were designed by family members, for the most part by Gunni Omann.
At first, the company mostly produced beds and dining tables, but from the 1950s it also started making desks and sideboards, often working in teak, oak and rosewood. Thanks to the high-level execution, quality, and great attention to detail, Omann Jun products have been exclusively sold worldwide since the mid-century. Besides the family business, Gunni Omann also designed for Axel Christiansen Odder/ACO Møbler. His most recognisable and famous pieces are waist-high: cadenzas, desks and tables. These pieces feature many hallmarks of Scandinavian modernist design, like beautiful grained surfaces, tapered legs, sliding doors, and bevelled edges.
From 1979, Andreas’ son, Bjorne Omann, took over the Omann Jun and started to produce exclusive furnishings for professional offices. In 1979, Bjarne Omann took over the company from his father and expanded the line to include office furniture.
In 2005, his son Ulrich Omann took over the company, beginning the third generation of the manufactory, mostly producing re-editions of his grandfather’s designs. The various pieces of furniture with the Omann label are high quality examples of Danish mid-century modern design. The “Credenza 18” model has been continuously so popular that it was brought back to production in 2016. ~H.
Shipping:
This sideboard will be packed and shipped with the greatest care to make sure you will receive the item in gallery condition. Complimentary shipping within the Netherlands.
IMPORTANT!
VAT normally applies and will be added to items when purchased by a European buyer or transported to a location within the EU. -
More Information
Documentation: Ample Provenance Origin: Denmark Period: 1950-1979 Materials: Wood Condition: Good. In very good condition. Item has some minor marks and discoloration consistent with age and use. Creation Date: 1960s Styles / Movements: Modern, Mid Century, Scandinavian Modern Book References: Mobilia Volume 6, August 1961. Edited by Paul Henningsen & Gunnar Bratvold, Published by Snekkersten: Mobilia, 1961, unpaginated. Dealer Reference #: 20180135 Incollect Reference #: 413856 -
Dimensions
W. 70.87 in; H. 48.03 in; D. 17.72 in; W. 180 cm; H. 122 cm; D. 45 cm;
Message from Seller:
Located in Utrecht, The Netherlands, H. Gallery specializes in modern and contemporary design with a strong focus on Brazil and Scandinavia. The gallery strives to preserve and promote especially Brazil's rich design heritage and curates a select group of contemporary artists. Meticulous research, ie getting in contact with the original designers, producers, their heirs, and retrieving and indexing old catalogues and magazines is at the heart of its activities. All works presented excel in great
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