When we say this coffee table is monumental, we mean it quite literally: this stunning, circular architectural beauty looks like someone shrunk down a Roman coliseum, dipped it in jet-black elegance, and popped in some smoky glass panels for good measure. It’s got that “why yes, I do have a 30-foot sofa” kind of energy.
Crafted in the 1960s, this piece is made of solid walnut and has been expertly ebonized in a rich, inky, satin black that catches the light in all the right ways. The table’s base is a full 360-degree arcade of arched cutouts — think classical architecture meets sexy James Bond villain lair. The smoked glass inserts float above the arches like clouds over ruins, giving it a soft, moody finish that feels both grounded and glam.
We don’t know who designed this showstopper (though we wish we did — if you’re out there, legend, call us), but it came perfectly paired with two Milo Baughman sofas when we acquired it, and the tableau was immaculate. It would look just as jaw-dropping flanked by two Vladimir Kagan Cloud sofas, Adrian Pearsall boomerangs, or a pair of curved De Sede DS-600s. Honestly, this table doesn’t just go with big seating — it demands it.
This is not a coffee table for minimalists or small talk. This is a coffee table for maximalists, aesthetes, and conversationalists who understand that furniture should make a statement.
Massive? Yes. Majestic? Also yes. Museum-worthy? Absolutely.
I your living room is more “private art gallery” than “cozy cottage,” this is your centerpiece.
The coffee table comes apart in 2 pieces and is joined by a number of dowels that run the length of the table and latches on the bottom and top that buckle the 2 pieces together.