'HOMAGE A LUCIO' - wallhanging / tapestry

Homage a Lucio Fontana is an artwork, where Fontana's characteristic cuts are visually applied to an old rug serving as the canvas. The cuts are not 'cut' but painted in a surprisingly realistic manner creating an optical illusion, which is one of the hallmarks of the artist Noemi Kiss: trickery, wit, confusion, wonder and a timely (social) critique.

Through overpainting the rug Noemi Kiss creates this fascinating optical illusion of Lucio Fontana's cuts.
The artist Kiss has concentrated in her oeuvre on out-of-use rugs, damaged rugs, or the unwanted, where she applies her artistic interventions. She is a master in creating an impressive illusion, through overpainting or cutting the re-purposed oriental rugs. Laboriously woven or knotted by hand, oriental rugs tell stories, interwoven in the piece. The ornaments have strong meanings. A rug can be decorative furnishing, a symbol of paradise, or a placeholder for prayer. The artist uses this strong symbolism and marries it with interventions of her choice, like cutting, overpainting, or gilding.
During its lifetime a rug is traded, bought, possibly resold, used over decades by various people in various locations….layering the piece with another history of its usage. Foot-worn carpets are witnesses of their past. One cannot simply copy them. Wear and tear, this 'Design of Time' of the rug is a vital part and the basis for Noémi's artworks. Here the aesthetics are to be understood as a state of the art that cannot be produced intentionally. Such surfaces develop slowly and on their own - through human interaction and use. Noémi is a material fetishist and she lets collide the grown with the made. She loads banal substances and materials that feel distant from art with a new meaning. HOMAGE A FONTANA is an art piece from a body of work, in which the artist deliberately uses old, worn-out, sometimes damaged rugs.