Exceptional Japanese Meiji Cloisonné Enamel Charger, Turquoise Ground, 18 Inches

An exceptional and monumental Japanese cloisonné enamel charger of extraordinary artistic and technical quality, Meiji period (1868–1912), circa 1890–1893. Measuring an impressive 18 inches in diameter, this magnificent work is distinguished by its brilliant turquoise-blue enamel ground, exceptionally intricate silver-colored wirework, and elaborate polychrome geometric border.

The exquisite central composition depicts flowering cherry blossoms and cascading wisteria, with delicate blossoms in shades of pink, coral, white, and pale lavender, intertwined with gracefully extending branches and finely articulated foliage. A beautifully rendered bird appears in flight among the blossoms, introducing movement and vitality to the composition.

The luminous turquoise ground provides a striking contrast to the richly colored floral decoration, while the extraordinarily precise wirework delicately outlines individual petals, leaves, branches, and the bird's plumage, creating an almost painterly effect.

Particularly remarkable is the exceptionally elaborate surrounding border, composed of repeating geometric panels incorporating classical Greek key-fret patterns, scrolling ornament, stylized floral motifs, and intricate polychrome enamel decoration. Rich chocolate-brown grounds contrast beautifully with white reserves, golden-yellow geometric patterns, delicate pink blossoms, and subtle turquoise accents.

The harmonious combination of naturalistic floral imagery, brilliant enamel colors, sophisticated geometric ornament, and exceptional technical execution exemplifies the finest achievements of Japanese cloisonné during the Meiji period.

The present charger bears noteworthy stylistic similarities to the celebrated monumental Japanese cloisonné Imperial Garniture created for the 1893 World's Columbian Exposition in Chicago, now preserved in the Khalili Collection of Japanese Art.

That extraordinary ensemble was produced through the collaboration of leading Japanese craftsmen, including Shirozayemon Suzuki and Seizayemon Tsunekawa, with pictorial designs by Araki Kampo (1831–1915).

Particularly compelling are the similarities in the sophisticated naturalistic compositions, exceptionally refined wirework, brilliant enamel palettes, and elaborate geometric borders. Although no direct connection to the exhibition has been established, these parallels provide an important historical context for the present work.

Comparative Reference: Khalili Collection of Japanese Art, Imperial Garniture, World's Columbian Exposition, Chicago, 1893. Accession Nos. E 10, EX 439, EX 512.

18" diameter

Very good condition. No damages noted.