-
FINE ART
-
FURNITURE & LIGHTING
-
NEW + CUSTOM
- FEATURED BESPOKE MAKERS
- Stephen Antonson
- Pieter Adam
- Nader Gammas
- Eben Blaney
- Silvio Mondino Studio
- Neal Aronowitz
- Mark Brazier-Jones
- Proisy Studio
- Ovature Studios
- Cartwright New York
- Thomas Pheasant Studio
- Lorin Silverman
- Chapter & Verse
- Reda Amalou
- KGBL
- AL Design Aymeric Lefort
- Atelier Purcell
- Pfeifer Studio
- Susan Fanfa Design
-
DECORATIVE ARTS
- JEWELRY
-
INTERIORS
- FEATURED PROJECTS
- East Shore, Seattle by Kylee Shintaffer Design
- Apartment in Claudio Coello, Madrid by L.A. Studio Interiorismo
- The Apthorp by 2Michaels
- Houston Mid-Century by Jamie Bush + Co.
- Sag Harbor by David Scott
- Park Avenue Aerie by William McIntosh Design
- Sculptural Modern by Kendell Wilkinson Design
- Noho Loft by Frampton Co
- Greenwich, CT by Mark Cunningham Inc
- West End Avenue by Mendelson Group
- VIEW ALL INTERIOR DESIGNERS
- INTERIOR DESIGN BOOKS YOU NEED TO KNOW
- Distinctly American: Houses and Interiors by Hendricks Churchill and A Mood, A Thought, A Feeling: Interiors by Young Huh
- Robert Stilin: New Work, The Refined Home: Sheldon Harte and Inside Palm Springs
- Torrey: Private Spaces: Great American Design and Marshall Watson’s Defining Elegance
- Ashe Leandro: Architecture + Interiors, David Kleinberg: Interiors, and The Living Room from The Design Leadership Network
- Cullman & Kravis: Interiors, Nicole Hollis: Artistry of Home, and Michael S. Smith, Classic by Design
- New books by Alyssa Kapito, Rees Roberts + Partners, Gil Schafer, and Bunny Williams: Life in the Garden
- Peter Pennoyer Architects: City | Country and Jed Johnson: Opulent Restraint
- An Adventurous Life: Global Interiors by Tom Stringer
- VIEW ALL INTERIOR DESIGN BOOKS
-
MAGAZINE
- FEATURED ARTICLES
- Northern Lights: Lighting the Scandinavian Way
- Milo Baughman: The Father of California Modern
- A Chandelier of Rare Provenance
- The Evergreen Allure of Gustavian Style
- Every Picture Tells a Story: Fine Art Photography
- Vive La France: Mid-Century French Design
- The Timeless Elegance of Barovier & Toso
- Paavo Tynell: The Art of Radical Simplicity
- The Magic of Mid-Century American Design
- Max Ingrand: The Power of Light and Control
- The Maverick Genius of Philip & Kelvin LaVerne
- 10 Pioneers of Modern Scandinavian Design
- The Untamed Genius of Paul Evans
- Pablo Picasso’s Enduring Legacy
- Karl Springer: Maximalist Minimalism
- All Articles
Listing
Period
Medium
Size
- Clear All
Teruo Hara
Japanese, 1929
Teruo Hara (1929-1985), potter, sculptor and designer, was born in Chiba, Japan in 1929. A graduate of Tokyo Kyoiku University, he taught in Japan and at the Corcoran School of Art and Mary Washington College beginning in 1963. During the 1950s he organized the influential Architecture and Craft Group in Kyoto and was involved with the Sodeisha Group, an avant-garde movement. His ceramics and sculpture began to receive international attention through invitationals, and in 1958 he won the Grand Prize at the Brussels World Fair. In 1959 he toured the United States under the Fine Arts Committee and American Craftsman Council. He exhibited at the Smithsonian in 1961. He soon after established a studio in this country and began teaching. For the next two decades he continued to teach, design and exhibit his work. His work has been exhibited in museums and galleries throughout the country.
In 1981 he completed a major residential design commission on Martha’s Vineyard, "Chogetsu." Vital to the design and execution of the plan was the merger of the inside and the outside spaces. His concept was to blend the site’s rolling hills, trees, rocks and ocean – to distill them and draw their expansiveness into the house and gardens themselves. The name “Chogetsu” loosely translated means “moon and tide”, a central concept in both Japanese swordsmanship and Zen practice. The moon on and in the water may be seen as a metaphor for enlightenment.
In 1981 he completed a major residential design commission on Martha’s Vineyard, "Chogetsu." Vital to the design and execution of the plan was the merger of the inside and the outside spaces. His concept was to blend the site’s rolling hills, trees, rocks and ocean – to distill them and draw their expansiveness into the house and gardens themselves. The name “Chogetsu” loosely translated means “moon and tide”, a central concept in both Japanese swordsmanship and Zen practice. The moon on and in the water may be seen as a metaphor for enlightenment.
Loading...