“Meteor Storm,” 2019

James Bearden (b. 1964)
“Meteor Storm”
American, 2019

Composed of torch-cut and polychromed steel, fused bronze, solvent dyes, and glass enamel, the sculpture consists of a constellation-like arrangement of slender vertical rods surmounted by iridescent forms suggestive of suspended celestial fragments. Varying in height and scale, the clustered elements create a rhythmic vertical composition.

The contrast between the dark linear framework and the vividly colored enamel surfaces is central to the work, with tones ranging from deep blues and violets to bright orange. The textured forms evoke meteorites, planetary matter, or stellar debris, while the open composition allows light and space to move freely through the sculpture.

Like a number of Bearden’s sculptural works, the present example possesses a subtle sonic element; slight movement activates the rods and produces a delicate resonance reminiscent of chimes.

Bio:
James Bearden (American, b. 1964) is an abstract sculptor whose work explores the intersection of sculpture, architecture, and functional design. Working primarily in metal, Bearden has produced a number of ongoing series, including Cathedral, Assemblage, Voids, and Lunar Blooms. His work is held in corporate, municipal, and prominent private collections.

PROVENANCE
Acquired from the artist.

REFERENCE
¹ Exhibited: New York Design Center, The Gallery at 200 Lex, James Anthony Bearden: Technical and Aesthetic Revelations, January 10–February 25, 2020.

LITERATURE
² See also: L. Weinberg, “Bold and Beautiful: Brutalism Is Making a Star of James Bearden,” Interior Design, January 2017.
³ See also: T. McKeough, “Experience James Bearden’s Primal Metalwork,” 1stDibs Introspective, February 6, 2017.
⁴ See also: V. L. Ingham, “The Brutal World of James Bearden,” dsm magazine, May–June 2017.