Showrooms
Monumental Black Murano Vase 2008
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Description
Monumental Black Murano Vase 2008
Etched signature on underside
Massimo Micheluzzi (1957) uses traditional techniques to achieve a uniquely modern aesthetic. He is one of very few contemporary Muranese artists to successfully employ classic murrina and battuto techniques for a disciplined, sober vision.
Reserved forms and color palates, mostly mono or dichromatic, backdrop the fluid movement of his surface carving. Indelibly intertwined with life on these watery islands, Micheluzzi's battuto patterns recall the gently curving canals and waterways of Venice, skillfully imparting softness to an otherwise rigid medium. Once formed at the furnace, the vessels are returned to Micheluzzi for extensive cold carving. His modern designs and ancient techniques bridge old and new, tradition and innovation.
Born in Venice in 1957, Micheluzzi studied art history at Ca' Foscari, the University of Venice. Introduced to the world of glass by the Venini family, in 1993 he began collaborating with Laura de Santillana, granddaughter of Paolo Venini. Within a few years, he was producing works of his own, and in 1998 he had his first exhibition in Milan. Since then, he has exhibited in cities all over the world, including Paris, New York, London, Rotterdam, and Kanazawa, Japan. -
More Information
Documentation: Signed Period: 2000-2021 Creation Date: 2008 Styles / Movements: Modern, Contemporary Incollect Reference #: 211719 -
Dimensions
H. 11.5 in; Diam. 14 in; H. 29.21 cm; Diam. 35.56 cm;
Shipping Information:
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Message from Seller:
Pavilion is the collective vision of Deborah Colman and Neil Kraus, both graduates of the master of fine arts program at the Art Institute of Chicago. From a longstanding interest in art and design, frequent buying trips to France and Italy have influenced the direction of the gallery to offer items that are not easily sourced in Chicago and United States. Postwar design has been the focus for 18 yrs and we also look forward to new design that crosses boundaries and dialogues as well to the past
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