Offered by:
galerie bruno massa
Avenue Carnot 75017
Paris 75017 , France
Call Seller
33661001033
Showrooms
Showrooms
STAMBA Hotel, D BLOCK - suite E21, 14 M. Kostava, Vera
*Tbilisi 0108
Georgia
Untitled 3
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Description
Indian ink on fine art paper
Her production is serial: she paints on herself, on her pregnancies, to the rhythm of Tchaikovsky's Opus 35 or in the melanomaniac search for black. In the last series of drawings it is a question of hiding and destroying poetry by freely playing on large photographic paper with layers-history - palimpsests - superimposed where unintelligible writing mixes with charcoal, ink, with white acrylics and black stone. It is the rewriting of the disaster, a direct reference to the work of Maurice Blanchot: "When all is said, what remains to be said is the disaster, ruin of speech, failure in writing, rumor that murmurs: this which remains without remainder
Doïna Vieru is an Ecuadorian-Moldavian artist born in 1978 who lives & works in France, Paris. She always preferred pas/pas/passionately the image to the word and all this despite crises of Bartlébysme. Between "I would prefer not to", pencils, papers, pvc or metal and other sharp instruments, the game remains his eternal favorite. After studying at the Chisinau Art Academy in Moldavia and Ecole Nationale des Beaux-Arts de Paris, France, she left Europe for Ecuador where she developed her own artistic language between mountains and jungle. Her return to 2019 in Paris is marked by an event-hanging at the Nesle gallery where she presented drawings on the three levels of the gallery. Her work, which has been exhibited regularly in Ecuador, Mexico, France, Romania and Moldova, still deals with the inexpressible. It's a kind of hide-and-seek game, to say and shut up.
Her production is serial: she paints on herself, on her pregnancies, to the rhythm of Tchaikovsky's Opus 35 or in the melanomaniac search for black. In the last series of drawings it is a question of hiding and destroying poetry by freely playing on large photographic paper with layers-history - palimpsests - superimposed where unintelligible writing mixes with charcoal, ink, with white acrylics and black stone. It is the rewriting of the disaster, a direct reference to the work of Maurice Blanchot: "When all is said, what remains to be said is the disaster, ruin of speech, failure in writing, rumor that murmurs: this which remains without remainder -
More Information
Documentation: Signed Origin: France Period: 2000-2021 Materials: Indian ink on fine art paper Condition: New. Creation Date: 2019 Styles / Movements: Abstract Expressionism, Black & White Incollect Reference #: 825872 -
Dimensions
W. 19.69 in; H. 29.53 in; D. 0.04 in; W. 50 cm; H. 75 cm; D. 0.1 cm;
Message from Seller:
galerie bruno massa is a contemporary art gallery founded in Paris in 2013, dedicated to showcasing emerging artists from around the world, with a strong focus on Asian contemporary art. The gallery is now based in Tbilisi, Georgia, with a presence in Paris, France & Busan, South Korea and can be reached at +33 6 61 00 10 33 via WhatsApp only. Here’s the email: contact@galeriebrunomassa.com
