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Blue Curved Sofa In The Style Of Federico Munari, Italy 1950's
$ 9,200
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Tear Sheet Print
- BoardAdd to Board
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Description
This curved sofa would not have looked out of place on a film set a la Visconti. Besides the fact that it could have been a glamorous setting for an intimate dialogue between Cardinale and Delon, it is much more the allure of the provocative shape that the sofa strongly radiates. The flamboyant design reminds us of the works by Federico Munari. An Italian designer who created a furore in the early 1950’s with these types of striking and artistic shapes. This particular sofa, in addition, is a type of design that can be easily incorporated into a more classic interior but would also be a gem in a modern minimalist interior.
Design
One reason for this is that the back of the sofa is completely finished and can therefore be freely positioned in the room. Soft fabric has a dark turquoise color with a shade that changes slightly depending on the lightfall.Seven tapered metal legs with a black finish and round brass feet extend elegantly from underneath the sofa and seem to make the whole object float in space. A graceful backrest that flows into the armrest frames the seating area which almost looks like an embrace.
Condition
The legs are patinated and show signs of wear that are entirely in line with age and use. The upholstery has been redone in the past and is still in excellent condition. -
More Information
In the Style of: Federico Munari Origin: Italy Period: 1950-1979 Materials: Fabric Condition: Good. Styles / Movements: Modern, Mid Century Dealer Reference #: 954 Incollect Reference #: 733935 -
Dimensions
W. 92.52 in; H. 33.46 in; D. 29.53 in; W. 235 cm; H. 85 cm; D. 75 cm; Seat H. 16.54 in; Seat H. 42 cm;
Message from Seller:
AtKris Studio curates exceptional 20th-century design pieces by renowned European artists such as Gio Ponti, Nanna Ditzel, and other celebrated Italian and Danish designers. For inquiries or assistance, feel free to contact us at +31 6 57840458 or info@atkrisstudio.com.
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