Credenza in Rosewood, Geraldo de Barros for Unilabor, 1950s

Designed by Geraldo de Barros (1923–1998) in the 1950s, this credenza exemplifies the structural clarity and graphic discipline that define his contribution to Brazilian modernism. Rooted in modular thinking and industrial logic, the design reflects de Barros’ broader practice, where furniture was conceived as an extension of architectural and visual order.

The form is defined by a rectilinear composition articulated through straight, uninterrupted lines. Four large drawers are paired with two banks of hinged doors. The arrangement is symmetrical and balanced, allowing the piece to read as architectonic while maintaining visual restraint.

Constructed entirely in jacarandá (Brazilian rosewood), the credenza reflects material integrity through its dense grain and deep tonal variation. Craftsmanship is expressed through precise construction and alignment, with surfaces and volumes resolved through proportion rather than ornament.

The credenza retains its original key and manufacturer’s seal and is presented in excellent vintage condition. Documented in a 1950s manufacturing manual, this work stands as a rare and well-documented example of de Barros’ furniture design and an enduring expression of Brazilian modernism.