Jens Quistgaard Side Table for DUX of Sweden (two available)

Beautiful side table designed by Jens Harald Quistgaard for DUX, 1950s, in teak. We have two available. Price is per table.

The exquisitely shaped wood top can be removed and used a tray or function as a decorative bowl, with one side being flat and the other being curved.

The sculptor Jens Harald Quistgaard worked with solid wood, often glueing cut blocks together before carving the individual components. He achieved the tray’s round motif by using various layers and multiple grain structures, making the piece both decorative and incredibly sturdy.

Whether you are looking for a unique side table set up or wanting a matching side table for your accent chairs, the versatileness of these tables make them the best option for any space.

Dimensions: 17.25"H x 19.5" Diameter

If you want to see it or have any questions, text Nicole (619) 300-3551

About the Designer:

The postwar-era work of Danish sculptor and designer Jens Harald Quistgaard is still exceedingly popular in living rooms in the United States, Europe and Japan, particularly in the homes of mid-century design enthusiasts. Having created serving pieces and barware for Dansk Designs for 30 years, Quistgaard produced striking Scandinavian modernist designs that married function with striking, sophisticated form.

After demonstrating artistic talent at a young age, Quistgaard was gifted a forge and anvil so that he could work in his mother’s kitchen. He built toys, jewelry and hunting knives under his father’s tutelage. Later, he spent years learning from local artisans how to produce wood, metal, ceramic and glass models. Quistgaard’s career path solidified during his apprenticeship as a silversmith with legendary Danish silver firm Georg Jensen.

By 1954, Quistgaard had become known for his designs in Denmark when American entrepreneur and businessman, Ted Nierenberg, discovered his work. The two formed a partnership to mass-produce Quistgaard’s wares in New York while the designer remained in Copenhagen.

The long-distance relationship flourished for three decades, during which millions of Quistgaard pieces were manufactured in the factories of Dansk Designs, Nierenberg’s company. Owing primarily to the partnership between Dansk Designs and Quistgaard, many Americans became familiar with Scandinavian modernism. In the postwar era, American tastemakers sold the citizenry on the “Scandinavian dream,” suggesting that, like us, the inhabitants of the Nordic nations valued home, hearth, family and good craftsmanship and design, as well as democracy.

The designs for Quistgaard’s Købenstyle line and other collections during the mid-1950s were revolutionary, with bowls built like barrels and charming, lightweight monochrome tableware in enameled steel. Quistgaard utilized exceptional materials in the creation of his coveted cookware and serving pieces, opting for warm teak and exotic woods and reintroducing steel as a go-to option for kitchen wares.

Quistgaard’s designs won numerous awards and are held in the collections of museums all over the world. His work can be found in the Victoria & Albert Museum, the Louvre, the Museum of Modern Art and elsewhere.