Sculptural Sterling Silver Necklace and Earrings Suite by Graziella Laffi

A bespoken sterling silver jewelry suite with bold design by Graziella Laffi (1923-2009), Lima, Peru, circa 1970s. The set consists of a choker style necklace showcasing six large geometrical hollow pendants and a pair dangling earrings with a square shape. The group of pendants in gradual size features a subtly hammered surface and an archaic axe shaped with relief on top of two balls connected. The shape of the axe was often found in the Pre-Columbian art. As a bronze age tool, it symbolizes power. the chain link of the necklace is made up of small tubes alternate with discs and connects with a box clasp. Each of the earrings features two strings of danggling from a hollow square made of square tubes, echoing the chain links. They have screw-on clip mechanism. The design radiates a sense of history with the primitive tribal geometry, yet appears beyond ethnic, it exuberates a confident and bold modernistic aesthetic. The drop of the necklace on the mannequin (not included) is about 9". It has an approximate 18.5" circumference and weighs 232 grams (7.46 troy ounces). The earring is 4" long total. The set is not marked but like all of our Laffi pieces, they came from the Laffi family.
Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts alongside silver work in Washington, D.C. and New York, including the American department store May Co. and the Brooklyn Museum of Art. In 1989, she held an exhibition at Palazzo Strozzi and also displayed her work at the Milan and Florence Biennale. Graziella exhibited her work extensively, yet it was not for sale. According to her unpublished autobiography, Graziella intended the collection to be on permanent display at an institution in Lima. That plan did not come to fruition. In 2002 Graziella presented a necklace to Queen Sofía of Spain, and most recently, since Graziella's death in 2009, twelve works entered the collection of the Los Angeles County Museum of Art (LACMA).
Provenance: Property from the Family of Graziella Laffi.