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Erich Dieckmann (attr.) Chairs with Steam Bent Beech Wood Frames, Germany 1930s

Creator: Erich Dieckmann
Offered by: H. Gallery

Description
Erich Dieckmann was one of the pre-eminent furniture designers of the Bauhaus and, like Marcel Breuer, was experimenting with steel tubing, standardization, and geometric forms in the 1920s and 1930s. These chairs are the results of one of these experiments.

This rare pair of armchairs, recalling the Bauhaus, is made of beech and cord. Dieckmann’s furniture models are often characterized by quality hardwoods, cane matting and geometric frames that link the armrests and legs, creating a unique runner construction. This model is therefore a typical Dieckmann model with a curved beech wood frame that perfectly shows the designer's unique avant-garde yet minimalist style and workmanship. The wooden structure was a technical innovation in its time as it was created by steam bending the wood. During the process, the wood is exposed to steam to make it pliable. Heat and moisture from steam can soften wood fibres enough, so they can be bent and stretched, and when cooled down they will hold their new shape. This is most apparent in the armrests‘ curvature that flows down to form the front legs. This continuous piece is in the focus of the whole design. The beech frames are complemented by the elegant cord seats and backs woven tightly around the wood.

These chairs are defined by their materials, steam bent beech and woven cord. Both techniques require expert skill, which Erich Dieckmann and the manufacturer evidently both possessed. Erich Dieckmann was one of the most important furniture designers of the Bauhaus movement, leaving behind an iconic body of Bauhaus-inspired seating.

Condition:
In good vintage condition. Wear consistent with age and use. Some minor scratches on the legs.

Dimensions:
22.83 in W x 27.16 in D x 28.74 in H; Seat height 15.35 in
58 cm W x 69 cm D x 73 cm H; Seat height 39 cm

About the Designer:
Erich Dieckmann was one of the pre-eminent furniture designers of the Bauhaus and, like Marcel Breuer, was experimenting with steel tubing, standardization, and geometric forms in the 1920s and 1930s.

Dieckmann was born in present-day Poland in 1896. He studied architecture from 1918 to 1920 at the Technical University of Gda?sk in Poland and served a carpentry apprenticeship at the Bauhaus in Weimar from 1921 to 1925. When the Bauhaus moved to Dessau in 1925, he remained in Weimar and became the head of the carpentry workshop at the State University of Applied Sciences until 1930.

Throughout the 1930s, he designed furniture as well as worked for various carpentry workshops and consulted for interior and craft design companies. Dieckmann’s furniture is often characterized by quality hardwoods, cane matting and geometric frames that link the armrests and legs, creating a unique runner construction. Designing affordable, enduring pieces that could be mass-produced was also one of his key efforts. Dieckmann passed away in Berlin in 1944, leaving behind an iconic body of Bauhaus-inspired seating.

Shipping:
These chairs will be packed and shipped with the greatest care to make sure you will receive the work in gallery condition. Complimentary shipping within the Netherlands.

IMPORTANT!
VAT normally applies and will be added to items when purchased by a European buyer or transported to a location within the EU.

More Information

Documentation:	Documented elsewhere (similar item)
Origin:	Germany
Period:	1920-1949
Materials:	Wood
Condition:	Good. In good vintage condition. Wear consistent with age and use. Some minor scratches on the legs.
Creation Date:	1930s
Number of Pieces:	2-3
Styles / Movements:	Modern, Collectible Design, Mid Century
Dealer Reference #:	20210806, 20210807
Incollect Reference #:	517795

Dimensions

W.	22.83 in;	H.	28.74 in;	D.	27.17 in;
W.	58 cm;	H.	73 cm;	D.	69 cm;

Seat H.	15.35 in;
Seat H.	39 cm;

Message from Seller:

Located in Utrecht, The Netherlands, H. Gallery specializes in modern and contemporary design with a strong focus on Brazil and Scandinavia. The gallery strives to preserve and promote especially Brazil's rich design heritage and curates a select group of contemporary artists. Meticulous research, ie getting in contact with the original designers, producers, their heirs, and retrieving and indexing old catalogues and magazines is at the heart of its activities. All works presented excel in great

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