An iconic model 60 stool in birch, green paint and a 100% beautiful and unique patina. Designed by Alvar Aalto for Artek in the 1940s, this design has definitely stood the test of time, as it is still in production and still one of the most popular among consumers. The model 60 stool is perhaps the most well known Aalto design and has always been attractive to people. As with a lot of Alvar Aalto's works the beauty comes from the simplicity and functionalism.
This stool is in great original condition with a beautifully acquired unique patina. The green colour is most likely one of many different colours this stool has had during its history. Apparently it has been upholstered at one point also, the small holes on the bottom part of the seat's edge are a tell tale of that.
Please notice that we have a number of different stools in different colours in our stock and on offer our website pages.
Alvar Aalto (1898-1976) is a world famous architect and designer. He was well known for designing his own line of furniture and lighting for the numerous buildings that he designed worldwide. His work includes architecture, furniture, textiles, glassware, sculptures and paintings. He never regarded himself as an artist, seeing painting and sculpture as branches of a tree that stem from architecture.
Aalto's career from the 1920s-1970s is reflected in the styles of his work, ranging from Classicism to Modernism and to an organic style from the 1940s onwards. Aalto and his wife Aino were famous for not only designing the buildings, but the interior surfaces, furniture, lamps and even the glassware for those buildings. Aalto's furniture designs are Scandinavian Modernism at its best, especially his technical innovations on the bent plywood furniture, which in turn had a great impact on Mid-Century Modernist furniture.
Aalto's works are highly sought after and some fetch record prices in auctions and the design world. Of course his works are also widely collected and can be found in numerous private collections and famous museums.
