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Lucio Ranucci
Italian, 1925
Lucio Ranucci is an Italian-born painter renowned for his striking depictions of figures in space, characterized by tubular forms and rich colors reminiscent of Cubist artist Fernand Léger. His figures often feature hollow eyes, akin to the portraits of Amedeo Modigliani, giving them a forlorn or alien quality even amidst cheerful scenes.
Born in 1925 in Perledeo, Italy, Ranucci began his artistic journey later in life, starting to paint at the age of 22 after the passing of his father. His early career was rooted in journalism, a path he pursued following his service in World War II. In 1947, Ranucci's journalistic pursuits brought him to South America, where he would spend the next sixteen years.
During his time in South America, he traveled extensively, painting scenes that captured the harsh realities of poverty and oppression. His work gained significant recognition, leading to invitations to prestigious exhibitions such as the Bienal de São Paulo in 1956 and the Bienal de México in 1957. Ranucci also made important connections, becoming one of the first journalists to interview figures like Fidel Castro and Che Guevara before their historic entry into Havana.
In 1963, Ranucci returned to Europe, settling in Saint-Paul de Vence, France, where he continues to live and work. His unique style and profound experiences have shaped his artistic voice, allowing him to convey deep emotional narratives through his compelling imagery.
Born in 1925 in Perledeo, Italy, Ranucci began his artistic journey later in life, starting to paint at the age of 22 after the passing of his father. His early career was rooted in journalism, a path he pursued following his service in World War II. In 1947, Ranucci's journalistic pursuits brought him to South America, where he would spend the next sixteen years.
During his time in South America, he traveled extensively, painting scenes that captured the harsh realities of poverty and oppression. His work gained significant recognition, leading to invitations to prestigious exhibitions such as the Bienal de São Paulo in 1956 and the Bienal de México in 1957. Ranucci also made important connections, becoming one of the first journalists to interview figures like Fidel Castro and Che Guevara before their historic entry into Havana.
In 1963, Ranucci returned to Europe, settling in Saint-Paul de Vence, France, where he continues to live and work. His unique style and profound experiences have shaped his artistic voice, allowing him to convey deep emotional narratives through his compelling imagery.
Lucio Ranucci
Lucio Ranucci Italian Figurative Abstract Painting Acrylic on Linen Canvas
H 33 in W 44 in D 1 in
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