Orientalist / Orientalism
French
The allure of the Orient, spanning modern-day Turkey, Greece, the Middle East, and North Africa, captivated the Western artistic imagination long before the dawn of the nineteenth century. From the Renaissance to the Baroque era, figures adorned in Middle Eastern attire graced the canvases of Bellini, Veronese, and Rembrandt. The tantalizing opulence of harem scenes seamlessly intertwined with the French Rococo aesthetic. Yet, prior to the turn of the century, European encounters with the East were sporadic, often confined to trade and occasional military expeditions.
In 1798, the trajectory altered dramatically when a French expedition, led by General Napoleon Bonaparte, breached the shores of Egypt, marking the beginning of a new chapter in cross-cultural exploration. The subsequent occupation until 1801 not only left an indelible mark on Egyptian soil but also beckoned Western voyagers to the Near and Middle East. The French government's monumental publication, the Description de l'Égypte (1809–22), unveiled the mysteries of Egypt's topography, architecture, and populace across twenty-four volumes, profoundly influencing French art and design of the period. The Empire style, with its dominant Egyptian motifs, bore testimony to this cultural fusion.
The early nineteenth century witnessed Orientalist paintings serving as conduits for French imperial propaganda, portraying the East as a realm awaiting enlightenment and civilizing through French intervention. Antoine Jean Gros, though never setting foot in the Near East, depicted this narrative vividly in "Napoleon in the Plague House at Jaffa" (1804), depicting Napoleon's visit amidst a plague outbreak. Romantic luminaries like Eugène Delacroix echoed themes of violence and turmoil, epitomized in works such as "Massacre at Chios" (1824) and "Death of Sardanapalus" (1827–28).
While many Europeans gleaned their perceptions of the Near East from published accounts, a cadre of artists embarked on pilgrimages to the region. Jean-Léon Gérôme, Théodore Chassériau, and others immersed themselves in the daily lives of Near Eastern communities, infusing their genre paintings with authenticity. Scenes ranging from military life to domestic tranquility emerged, reflecting the multifaceted facets of Oriental existence.
Christian themes interwoven with the Oriental backdrop found favor among British artists, aligning with Protestant sensibilities for iconographic clarity. William Holman Hunt's "The Finding of the Savior in the Temple" (1854–55) and "The Scapegoat" (1854–55) exemplify this synthesis of religious narratives within Oriental settings.
Among the most iconic Orientalist motifs were the harem scenes, which, though often products of imagination rather than firsthand observation, epitomized Western fantasies of Eastern luxury and allure. From Jean Auguste Dominique Ingres's sensuous odalisques to the Aesthetic movement's infatuation with Oriental interiors, the allure of the Orient permeated every facet of Western aesthetic sensibilities.
This enduring fascination with Orientalism transcended centuries, influencing the brushstrokes of Renoir, Matisse, and a pantheon of modernist masters. From the vivid hues of Paul Klee to the abstract musings of Kandinsky, the Orient remained an eternal muse for Western artistry, bridging continents and cultures in an enduring dance of inspiration.
In 1798, the trajectory altered dramatically when a French expedition, led by General Napoleon Bonaparte, breached the shores of Egypt, marking the beginning of a new chapter in cross-cultural exploration. The subsequent occupation until 1801 not only left an indelible mark on Egyptian soil but also beckoned Western voyagers to the Near and Middle East. The French government's monumental publication, the Description de l'Égypte (1809–22), unveiled the mysteries of Egypt's topography, architecture, and populace across twenty-four volumes, profoundly influencing French art and design of the period. The Empire style, with its dominant Egyptian motifs, bore testimony to this cultural fusion.
The early nineteenth century witnessed Orientalist paintings serving as conduits for French imperial propaganda, portraying the East as a realm awaiting enlightenment and civilizing through French intervention. Antoine Jean Gros, though never setting foot in the Near East, depicted this narrative vividly in "Napoleon in the Plague House at Jaffa" (1804), depicting Napoleon's visit amidst a plague outbreak. Romantic luminaries like Eugène Delacroix echoed themes of violence and turmoil, epitomized in works such as "Massacre at Chios" (1824) and "Death of Sardanapalus" (1827–28).
While many Europeans gleaned their perceptions of the Near East from published accounts, a cadre of artists embarked on pilgrimages to the region. Jean-Léon Gérôme, Théodore Chassériau, and others immersed themselves in the daily lives of Near Eastern communities, infusing their genre paintings with authenticity. Scenes ranging from military life to domestic tranquility emerged, reflecting the multifaceted facets of Oriental existence.
Christian themes interwoven with the Oriental backdrop found favor among British artists, aligning with Protestant sensibilities for iconographic clarity. William Holman Hunt's "The Finding of the Savior in the Temple" (1854–55) and "The Scapegoat" (1854–55) exemplify this synthesis of religious narratives within Oriental settings.
Among the most iconic Orientalist motifs were the harem scenes, which, though often products of imagination rather than firsthand observation, epitomized Western fantasies of Eastern luxury and allure. From Jean Auguste Dominique Ingres's sensuous odalisques to the Aesthetic movement's infatuation with Oriental interiors, the allure of the Orient permeated every facet of Western aesthetic sensibilities.
This enduring fascination with Orientalism transcended centuries, influencing the brushstrokes of Renoir, Matisse, and a pantheon of modernist masters. From the vivid hues of Paul Klee to the abstract musings of Kandinsky, the Orient remained an eternal muse for Western artistry, bridging continents and cultures in an enduring dance of inspiration.
Orientalist / Orientalism
Fine and Rare English George III Birdcage on Stand, circa 1780
H 72 in W 36 in D 16 in
$ 9,000
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Sale
Orientalist / Orientalism
A young Beauty clasping an Urn
25% Off
Sale Price: $ 7,500
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Orientalist / Orientalism
Viennese cold-painted bronze of an Arab merchant
H 7.48 in W 4.33 in D 5.51 in
$ 4,500
Orientalist / Orientalism
A pair of Orientalist terracotta figures by Johann Maresch
H 19.29 in W 7.87 in D 5.91 in
$ 8,250
Orientalist / Orientalism
Figurative cold-painted bronze lamp by Franz Xaver Bergman
H 18.11 in W 7.48 in D 11.42 in
$ 9,500
Orientalist / Orientalism
An Exceptional Quality Orientalist Portrait of "A Moorish Chief" 19th Century
H 35 in W 30 in D 6 in
$ 45,000
Orientalist / Orientalism
Large antique Austrian cold-painted bronze and alabaster sculpture
H 7.48 in W 20.47 in D 12.99 in
$ 15,000
Orientalist / Orientalism
Large antique Viennese cold-painted bronze lamp of a princess by Bergman
H 16.54 in W 9.45 in D 5.12 in
$ 15,000
Orientalist / Orientalism
Coastal oil painting with a Middle Eastern minaret by Berchère
H 29.13 in W 26.38 in D 3.94 in
$ 40,000
Orientalist / Orientalism
Orientalist oil portrait of a pair of siblings by Burgess
H 33.46 in W 25.2 in D 1.97 in
$ 56,250
Orientalist / Orientalism
PAIR OF FRENCH ANTIQUE GILT & PATINATED BRONZE ORIENTALIST BUSTS, 19TH CENTURY
H 14 in W 7 in D 5 in
$ 18,000
Orientalist / Orientalism
FRENCH GILT BRONZE FIGURE OF AN ORIENTALIST WOMEN PLAYING THE HARP
H 20 in W 8 in D 9 in
$ 9,600
Orientalist / Orientalism
Large Italian Orientalist marble and gilt bronze sculpture by Fatorini
H 20.87 in W 22.83 in D 12.99 in
$ 56,250
Orientalist / Orientalism
Antique cold-painted bronze of a pulled rickshaw by Bergman
H 7.48 in W 14.57 in D 7.87 in
$ 9,500
Orientalist / Orientalism
Large Austrian wood and cold-painted bronze lamp
H 16.54 in W 16.14 in D 11.81 in
$ 15,000
Orientalist / Orientalism
Orientalist portrait painting by Bridell-Fox, 1865
H 19.29 in W 16.54 in D 2.36 in
$ 15,000
Orientalist / Orientalism
"The Kiosk of Trajan", A Rare Orientalist Landscape Painting
H 19 in W 23 in
$ 55,000
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