-
FINE ART
-
FURNITURE & LIGHTING
-
NEW + CUSTOM
- Featured Bespoke Articles
- Hélène de Saint Lager’s Designs…
- Amorph-Where wood comes to life
- Markus Haase: Translating Artistic...
- Trent Jansen: Design Meets Heritage
- Hoon Moreau: Sculptural Poetry
- Kam Tin: The Art of Modern Baroque Furniture
- Gregory Nangle and Outcast Studios
- Roman Plyus Designs Furniture That’s…
- Ervan Boulloud: Daring Ingenuity
- Julian Mayor: Mirror Image
-
DECORATIVE ARTS
- JEWELRY
-
INTERIORS
- Featured Projects
- East Shore, Seattle, Washington by Kylee Shintaffer Design
- Apartment in Claudio Coello, Madrid by L.A. Studio Interiorismo
- The Apthorp by 2Michaels
- Houston Mid-Century by Jamie Bush + Co.
- Sag Harbor by David Scott
- Park Avenue Aerie by William McIntosh Design
- Sculptural Modern by Kendell Wilkinson Design
- Noho Loft by Frampton Co
- Greenwich, CT by Mark Cunningham Inc
- West End Avenue by Mendelson Group
- Interior Design Books You Need to Know
- Distinctly American: Houses and Interiors by Hendricks Churchill and A Mood, A Thought, A Feeling: Interiors by Young Huh
- Robert Stilin: New Work, The Refined Home: Sheldon Harte and Inside Palm Springs
- Torrey: Private Spaces: Great American Design and Marshall Watson’s Defining Elegance
- Ashe Leandro: Architecture + Interiors, David Kleinberg: Interiors, and The Living Room from The Design Leadership Network
- Cullman & Kravis: Interiors, Nicole Hollis: Artistry of Home, and Michael S. Smith, Classic by Design
- New books by Alyssa Kapito, Rees Roberts + Partners, Gil Schafer, and Bunny Williams: Life in the Garden
- Peter Pennoyer Architects: City | Country and Jed Johnson: Opulent Restraint
- The Elegant Life by Alex Papachristidis and More is More Is More: Today’s Maximalist Interiors by Carl Dellatore
- Extraordinary Interiors by Suzanne Tucker and Destinations by Jean-Louis Deniot
- Shelf Love: The Year's Top New Design Books
-
MAGAZINE
- Featured Articles
- Northern Lights: Lighting the Scandinavian Way
- Milo Baughman: The Father of California Modern Design
- A Chandelier of Rare Provenance
- The Evergreen Allure of Gustavian Style
- Every Picture Tells a Story: Fine Art Photography
- Vive La France: Mid-Century French Design
- The Timeless Elegance of Barovier & Toso
- Paavo Tynell: The Art of Radical Simplicity
- The Magic of Mid-Century American Design
- Max Ingrand: The Power of Light and Control
- The Maverick Genius of Philip & Kelvin LaVerne
- 10 Pioneers of Modern Scandinavian Design
- The Untamed Genius of Paul Evans
- Pablo Picasso’s Enduring Legacy
- Karl Springer: Maximalist Minimalism
- See All Articles
Period
Size
- Clear All
John R. Grabach
American, 1886 - 1981
John R. Grabach (1886 - 1981)
John Grabach was a highly regarded New Jersey artist, teacher, and author of the classic text, “How to Draw the Human Figure”. He was born in Massachusetts, and with his widowed mother, moved to Newark, New Jersey when he was eleven.
Starting out as a die-cutter for a silverware firm, Grabach also designed important works of sterling silver hollow ware and Art Deco glass designs for several high end retail manufacturers. He designed United States stamps for the Treasury Department and holiday greeting cards for several firms. Grabach enrolled in courses at the Art Students League in his spare time, studying under George Bridgeman, Frank Dumond, Kenyon Cox, and H. August Schwabe.
Considered a leading figure in the Newark School of Painters, his powerful Ashcan style paintings depicting scenes of New York City and Newark are truly American masterpieces. He captures the expressions and mood of his subjects in those complex compositions on par with any of the highly regarded Ashcan painters of the period. Similar in many ways to his contemporary, George Bellows, Grabach was gifted in portraying the everyday events of working class folks, and translating their ordinary daily routines into something extraordinary to look at.
Whether it be his native blue-collar Newark neighborhood, a crew of gruff dockworkers or something as regular and uninteresting as men eating soup, John Grabach had the ability to turn virtually any subject into appealing and worthy art.
From the 1920s through the 1960s, Grabach was the subject of numerous one-man exhibitions in prestigious galleries and institutions across the country. In 1980, the Smithsonian Institute in Washington, D.C., honored Grabach with a solo retrospective show of his work. This was an unusual tribute for a still living artist.
Grabach was a dedicated and beloved teacher at the Newark School of Industrial Design for many years and among his favorite students was Henry Gasser.
Grabach’s work is in the permanent collections of the Smithsonian, the Corcoran Gallery of Art, the Art Institute of Chicago, and the Philadelphia Art Alliance, among many others.
john-grabach-paintings-art
John Grabach was a highly regarded New Jersey artist, teacher, and author of the classic text, “How to Draw the Human Figure”. He was born in Massachusetts, and with his widowed mother, moved to Newark, New Jersey when he was eleven.
Starting out as a die-cutter for a silverware firm, Grabach also designed important works of sterling silver hollow ware and Art Deco glass designs for several high end retail manufacturers. He designed United States stamps for the Treasury Department and holiday greeting cards for several firms. Grabach enrolled in courses at the Art Students League in his spare time, studying under George Bridgeman, Frank Dumond, Kenyon Cox, and H. August Schwabe.
Considered a leading figure in the Newark School of Painters, his powerful Ashcan style paintings depicting scenes of New York City and Newark are truly American masterpieces. He captures the expressions and mood of his subjects in those complex compositions on par with any of the highly regarded Ashcan painters of the period. Similar in many ways to his contemporary, George Bellows, Grabach was gifted in portraying the everyday events of working class folks, and translating their ordinary daily routines into something extraordinary to look at.
Whether it be his native blue-collar Newark neighborhood, a crew of gruff dockworkers or something as regular and uninteresting as men eating soup, John Grabach had the ability to turn virtually any subject into appealing and worthy art.
From the 1920s through the 1960s, Grabach was the subject of numerous one-man exhibitions in prestigious galleries and institutions across the country. In 1980, the Smithsonian Institute in Washington, D.C., honored Grabach with a solo retrospective show of his work. This was an unusual tribute for a still living artist.
Grabach was a dedicated and beloved teacher at the Newark School of Industrial Design for many years and among his favorite students was Henry Gasser.
Grabach’s work is in the permanent collections of the Smithsonian, the Corcoran Gallery of Art, the Art Institute of Chicago, and the Philadelphia Art Alliance, among many others.
john-grabach-paintings-art
Loading...