Early Carbro Color Photograph of Ballerinas inscribed to Frank Farrell, J. Kempe

This refined early color photograph presents an intimate backstage moment between two ballerinas preparing for performance, captured with exceptional tonal control and compositional restraint. Measuring 11 × 14 inches, the image dates to the late 1940s–early 1950s, a period when sophisticated color photography remained technically demanding and was practiced by only a small circle of highly skilled professionals.

The photograph is signed and personally inscribed on the original over-mat “To Frank Farrell in friendship – J. Kempe.”
The recipient is plausibly identifiable as Frank Farrell (1912–1983), an entertainment editor and columnist for the New York World-Telegram, active in New York theatrical and ballet circles during the postwar period, though this connection remains unconfirmed.

Of particular importance is the color process. Based on surface characteristics, tonal behavior, and pigment stability, the photograph was very likely executed using the carbro (carbon-bromide) process, a pigment-based color technique favored in the 1930s and 1940s for its extraordinary control of flesh tones and matte surface quality. The image displays hallmark carbro attributes: velvety density, restrained saturation, neutral whites, stable blacks, and sculptural modeling of the figure without chromogenic color drift. These qualities place the work within the lineage of early experimental color photography associated with figures such as Paul Outerbridge, though without any claim of direct attribution.

The subject—ballet preparation rather than performance—reflects a postwar aesthetic interest in process, discipline, and quiet intimacy. The restrained palette of powder pinks, flesh tones, and selective cosmetic accents underscores the photographer’s sophisticated understanding of color as a structural element rather than mere embellishment.

The photograph retains its original period over-mat, exhibiting age toning consistent with 70–80 years and reinforcing the authenticity and integrity of the presentation. Overall condition is consistent with early carbro prints, with light surface texture and natural aging commensurate with the medium.

This is a rare and compelling example of postwar pigment-based color photography, distinguished by its technical ambition, elegant restraint, intact personal inscription, and strong contextual ties to mid-century theatrical culture.
Frame measurements: 21 x 17 x 1.5"